I love Dimmu Borgir.
Yeah, I said it. Don't laugh.
Why do I love Dimmu Borgir, which is one of the most controversial and disliked black heavy metal bands around today? Well, for one thing they're a more diverse and yes, talented, band than a lot of people might give them credit for. All of the musicians involved are very good at what they do, and they can produce some genuinely beautiful music. Dimmu Borgir can do symphonic black metal that's almost operatic or just nasty, angry stuff that's pounding and aggressive (and yet Mustis the keyboardist somehow still works in those great Hammer-Horror organs). They can also do purely symphonic music, as well.
And BTW, to those who say Dimmu sold out after their last album in Norwegian, well, they've ALWAYS had symphonic elements in their work, and yes, I wish they'd go back to singing in Norwegian, too. Mainly because I think that with few exceptions, their (English) lyrics are the weakest thing about the band. But the rest of Dimmu Borgir is really cool.
Behold the musical diversity of Dimmu below. First up, the pounding and absolutely ferocious "Spellbound (by the Devil)", which still has some symphonic elements towards the end. Also, Mustis on organs. I feel like I should be watching a Christopher Lee vampire film while listening to this one.
http://www.youtube.com/watch?v=bAXuUkDoBKw
My personal favorite of theirs, "A Succubus in Rapture", which actually has some of their better English lyrics, because it actually tells something of a story (about something other than Satan, no less!) and isn't all "blah-blah Satan" all the time.
http://www.youtube.com/watch?v=7tVjDPyFYkw
"Puritania" is pretty ferocious-sounding, too, and it has more of an electronic, quasi-industrial, almost science-fiction edge to it. I also like the lyrics in this one, because it's like a story being told from the point of view of aliens or demons or whatever who are annihilating humanity.
http://www.youtube.com/watch?v=OTssCybx2lQ
And finally, here's "Fear and Wonder". Composed by keyboardist Mustis, it is entirely symphonic.
http://www.youtube.com/watch?v=LCwKEGWs5bg
So... with that in mind, is Dimmu Borgir cheesy? Yes, extremely so; their public image checks off just about every little box in a "Black Metal Caricature" checklist. (And that is probably one of the reasons I like them, given that they're sooo metal and dark and brutal that they're about the closest the human race will ever come to a real-life version of Dethklok.) Are they also extremely, extremely talented? Yes. And there's another reason I like them, too.
Saturday, December 6, 2008
"Midnight Meat Train" FINALLY coming to DVD.
According to horror website iconsoffright, it'll be released on Feb. 27 of the Noo Yeer.
Awesome. And when I say "Awesome", I mean "Finally!", and when I say "Finally!" I mean for it to sound like this: "FIIII-NUUH-LEEEE!" This film was really, REALLY screwed over at the box office; I had literally been waiting MONTHS to see this bad boy's bloody self on the big screen, and whaddaya know? Apparently back-biting macho-posturing at LionsGate killed "Midnight Meat Train" deader than a dead thing that is no longer living. Damn.
And yet, I can still find something to whine about with this upcoming DVD release. It only has three extras, according to iconsoffright. They are as follows:
- Anatomy of a Murder: the Making of The Midnight Meat Train featurette
- World of Clive Barker featurette
- Mahogany's Bag featurette
Only three? No commentaries? No conceptual art? Just "featurettes", not full-blooded features? Come on! However, I really should be thankful that this is getting any features at all, considering how deep LionsGate tried to bury it (I almost wrote "hard and deep", but that just sounds dirty). At least it has features, unlike the completely bare-bones American DVD of Frontier(s).
Still... Midnight Meat Train's comin' to town! Now if only Barker would hurry up and finish the Abarat series....
Awesome. And when I say "Awesome", I mean "Finally!", and when I say "Finally!" I mean for it to sound like this: "FIIII-NUUH-LEEEE!" This film was really, REALLY screwed over at the box office; I had literally been waiting MONTHS to see this bad boy's bloody self on the big screen, and whaddaya know? Apparently back-biting macho-posturing at LionsGate killed "Midnight Meat Train" deader than a dead thing that is no longer living. Damn.
And yet, I can still find something to whine about with this upcoming DVD release. It only has three extras, according to iconsoffright. They are as follows:
- Anatomy of a Murder: the Making of The Midnight Meat Train featurette
- World of Clive Barker featurette
- Mahogany's Bag featurette
Only three? No commentaries? No conceptual art? Just "featurettes", not full-blooded features? Come on! However, I really should be thankful that this is getting any features at all, considering how deep LionsGate tried to bury it (I almost wrote "hard and deep", but that just sounds dirty). At least it has features, unlike the completely bare-bones American DVD of Frontier(s).
Still... Midnight Meat Train's comin' to town! Now if only Barker would hurry up and finish the Abarat series....
Thursday, November 27, 2008
Why I currently feel charitably disposed towards the French.
Sure, the French may be grossly stereotyped by us gross Americans as an America-hating, cheese-nibbling, wine-slurping, beret-wearing, Eiffel-towering arrogant bunch of Surrender Monkeys with a vaguely snide-sounding language that they're terribly proud of (and want to keep nice and pure like a kid wants to keep his green beans out of his mashed potatoes and gravy, thank you very much), but damn, if these people don't make some great horror movies.
Frankly (pun intended), some of the nastiest, most extreme horror movies that have come out of Europe in recent memory have been French. In these flicks, the blood flows like fine French wine as legions of hapless Gallic movie stars are sliced, diced, steamed, stabbed, roasted, toasted, and served up to the delight of international horror fans everywhere like great French cooking. I've only managed to get my grubby paws on a few of these beauties, namely Haute Tension (High Tension in the U.S.), Frontières, and two Americanized transplants of the gore-soaked Alexandre Aja (director of Haute Tension) style: the remake of The Hills Have Eyes and Mirrors. Apparently there is a star-studded universe of terrifyingly extreme French cinema just waiting out there... except when you look closer, the thousand gleaming points of light turn out not to be galaxies, constellations, or stars, but the bloodlust-maddened eyes of all the insane crazies that reside in French horror movie heaven, and all of them are looking at you as their next meal. Yes, YOU!
Here's the run-down of what we can expect to roar out of France at us:
Humains (Humans), a tale of an archeology expedition gone wrong when some researchers uncover evidence of the existence of a strange hominid creature. Apparently, the Missing Link is no longer missing, and judging by how Humains is labeled as a horror film instead of a nature documentary, it's gonna make sure that at least some of these nice young French people go missing in its stead. However, early reports on this one are saying that it will be lighter on the red stuff than previous French horrors, which I'm fine with. This is actually the foreign horror film that I'm looking forward to the most; I LOOOOVE films with hominid creatures in them (as evidenced by my unholy passion for all things related to Neil Marshall's Descent), and this looks like it'll be barrels of fun.
La Horde (The Horde), a French flick that blends cops-and-robbers with... ZOMBIES! And from what I've heard, these won't be the "moves slower than frozen molasses giving the stars ample time to move their asses" kind of zombie, these will be the insane, amped-up "moves so fast that the main characters won't have time to crap their drawers" type of zombie. Personally, while I think that zombie films are getting a little old (even considering the renaissance of good zombie films we've had recently, there's just so darn many of them that it feels like the sub-genre needs a break), I loved Zack Snyder's running zombies in the Dawn of the Dead remake, so this may hopefully be another interesting break from the Romero mold that's been on the cinematic depiction of the undead for so long.
Lady Blood, a sequel to the 1990 French horror Baby Blood (which I saw not too long ago under the alternate title of The Evil Within). The Evil Within was a very bizarre, often dream-like and surreal horror film about a woman who is impregnated by a strange creature that then grows inside her and telepathically talks to her, urging her to kill men so that she can feed on their blood (and thus nourish the growing creature). The "mother" and her "child" go on a road trip across France, slaying as they go, and along the way they develop a symbiotic and strangely tender relationship that's as weird as anything else in the movie. Given how it ended, I'm not sure how they're going to pull off a sequel to the original film, but Lady Blood looks like something to keep an eye on. Reports are that Lady Blood (or at least its trailer) is gory as all get-out, so that's a plus (and totally in line with the original film's buckets of blood).
And for the record, here's some creepy French films that have already landed in America on DVD. I haven't seen any of these yet, but boy, do I want to.
À l'intérieur (AKA Inside), a grim French film featuring a pregnant woman versus a strange, deranged, yet determined crazy known as "La Femme". Apparently this is one of the Goriest Films of All Time. The Dimension Extreme cover art for the American DVD is really sucky, though; I much prefer the restrained and actually quite elegant French poster artwork.
Dans ma Peau (AKA In My Skin), a film about a woman who, after suffering an accident, begins to cut off pieces of her own skin in a bizarre and fascinated ritualistic way. I've actually heard this is not as gory as one might expect, given the subject matter, but it looks interesting so I'll try and find it to give it a spin in my DVD player.
Martyrs. I've heard that this is one of the goriest, most disturbing films ever. Being the curious cat that I am, I'll probably end up seeing this one just to see if it's as scary as I've heard. Suffice to say that it has a lot of torture in it, including (implied?) torture of kids, as well as a really weird cult.
In short, that's all I can think of at the moment. Wow. Those French. Honestly, if there's something in their national psyche that compels them to make bloody, balls-to-the-wall cinema harder and better (or at least more sensationally) than anyone else right now... well, if they're wrong, I don't want 'em to be right. Maybe it's because their language, nice as it is, simply doesn't sound as harsh and terrifying as the tongues of their northern Germanic neighbors, so they don't have a lot of black metal growlers. (Seriously, when you think of horrifying-sounding black metal singers that sound like Satan's cousin gargling battery acid and ground glass, you don't think of the French, you think of the Scandinavians... or maybe the Germans. But never the French.) Or maybe it's because their national subconscious has been thwarted in taking over the Continent ever since Napoleon got his ass handed to him by those beef-eating English bastards. Maybe all that pent-up French national aggression is getting subliminally channeled into wonderfully nasty horror films. Maybe. And maybe it's for the best.
Keep on bleedin', France!
Frankly (pun intended), some of the nastiest, most extreme horror movies that have come out of Europe in recent memory have been French. In these flicks, the blood flows like fine French wine as legions of hapless Gallic movie stars are sliced, diced, steamed, stabbed, roasted, toasted, and served up to the delight of international horror fans everywhere like great French cooking. I've only managed to get my grubby paws on a few of these beauties, namely Haute Tension (High Tension in the U.S.), Frontières, and two Americanized transplants of the gore-soaked Alexandre Aja (director of Haute Tension) style: the remake of The Hills Have Eyes and Mirrors. Apparently there is a star-studded universe of terrifyingly extreme French cinema just waiting out there... except when you look closer, the thousand gleaming points of light turn out not to be galaxies, constellations, or stars, but the bloodlust-maddened eyes of all the insane crazies that reside in French horror movie heaven, and all of them are looking at you as their next meal. Yes, YOU!
Here's the run-down of what we can expect to roar out of France at us:
Humains (Humans), a tale of an archeology expedition gone wrong when some researchers uncover evidence of the existence of a strange hominid creature. Apparently, the Missing Link is no longer missing, and judging by how Humains is labeled as a horror film instead of a nature documentary, it's gonna make sure that at least some of these nice young French people go missing in its stead. However, early reports on this one are saying that it will be lighter on the red stuff than previous French horrors, which I'm fine with. This is actually the foreign horror film that I'm looking forward to the most; I LOOOOVE films with hominid creatures in them (as evidenced by my unholy passion for all things related to Neil Marshall's Descent), and this looks like it'll be barrels of fun.
La Horde (The Horde), a French flick that blends cops-and-robbers with... ZOMBIES! And from what I've heard, these won't be the "moves slower than frozen molasses giving the stars ample time to move their asses" kind of zombie, these will be the insane, amped-up "moves so fast that the main characters won't have time to crap their drawers" type of zombie. Personally, while I think that zombie films are getting a little old (even considering the renaissance of good zombie films we've had recently, there's just so darn many of them that it feels like the sub-genre needs a break), I loved Zack Snyder's running zombies in the Dawn of the Dead remake, so this may hopefully be another interesting break from the Romero mold that's been on the cinematic depiction of the undead for so long.
Lady Blood, a sequel to the 1990 French horror Baby Blood (which I saw not too long ago under the alternate title of The Evil Within). The Evil Within was a very bizarre, often dream-like and surreal horror film about a woman who is impregnated by a strange creature that then grows inside her and telepathically talks to her, urging her to kill men so that she can feed on their blood (and thus nourish the growing creature). The "mother" and her "child" go on a road trip across France, slaying as they go, and along the way they develop a symbiotic and strangely tender relationship that's as weird as anything else in the movie. Given how it ended, I'm not sure how they're going to pull off a sequel to the original film, but Lady Blood looks like something to keep an eye on. Reports are that Lady Blood (or at least its trailer) is gory as all get-out, so that's a plus (and totally in line with the original film's buckets of blood).
And for the record, here's some creepy French films that have already landed in America on DVD. I haven't seen any of these yet, but boy, do I want to.
À l'intérieur (AKA Inside), a grim French film featuring a pregnant woman versus a strange, deranged, yet determined crazy known as "La Femme". Apparently this is one of the Goriest Films of All Time. The Dimension Extreme cover art for the American DVD is really sucky, though; I much prefer the restrained and actually quite elegant French poster artwork.
Dans ma Peau (AKA In My Skin), a film about a woman who, after suffering an accident, begins to cut off pieces of her own skin in a bizarre and fascinated ritualistic way. I've actually heard this is not as gory as one might expect, given the subject matter, but it looks interesting so I'll try and find it to give it a spin in my DVD player.
Martyrs. I've heard that this is one of the goriest, most disturbing films ever. Being the curious cat that I am, I'll probably end up seeing this one just to see if it's as scary as I've heard. Suffice to say that it has a lot of torture in it, including (implied?) torture of kids, as well as a really weird cult.
In short, that's all I can think of at the moment. Wow. Those French. Honestly, if there's something in their national psyche that compels them to make bloody, balls-to-the-wall cinema harder and better (or at least more sensationally) than anyone else right now... well, if they're wrong, I don't want 'em to be right. Maybe it's because their language, nice as it is, simply doesn't sound as harsh and terrifying as the tongues of their northern Germanic neighbors, so they don't have a lot of black metal growlers. (Seriously, when you think of horrifying-sounding black metal singers that sound like Satan's cousin gargling battery acid and ground glass, you don't think of the French, you think of the Scandinavians... or maybe the Germans. But never the French.) Or maybe it's because their national subconscious has been thwarted in taking over the Continent ever since Napoleon got his ass handed to him by those beef-eating English bastards. Maybe all that pent-up French national aggression is getting subliminally channeled into wonderfully nasty horror films. Maybe. And maybe it's for the best.
Keep on bleedin', France!
Guillermo Del Toro, Gris Grimley collaborating for grim stop-motion "Pinocchio"
The director of the dark fairy-tales "Pan's Labyrinth" and "The Devil's Backbone" may be collaborating with a gruesome artist to bring a new vision of "Pinocchio" to life. Reportedly, the medium used will be stop-motion animation, and if Gris Grimley's nightmarish artwork for the original story by Carlo Collodi is any indication, the resulting film will probably be a little less of wishing upon a star and more of clinging to your theater seat's armrests with terror at all the weird stuff going down before your be-dazzled orbs.
Here's the link, complete with art. Already I'm hopeful that this could be an excellently dark fairytale that's scarier than anything Tim Burton's ever done.
Here's the link, complete with art. Already I'm hopeful that this could be an excellently dark fairytale that's scarier than anything Tim Burton's ever done.
Sunday, November 23, 2008
Cool Music Weekend #2: Finntroll
Finntroll is the band that introduced me to a whole 'nother world: the weird, quirky, funny, and sometimes very beautiful world of folk metal.
What is folk metal? Folk metal is commonly defined as heavy metal, often black metal or symphonic black metal, that takes some inspiration from folk music, perhaps through using certain acoustic instruments, a folkish beat, and lyrics that derive from 'folk-lore' topics, such as mythology and national history. A lot of folk metal--probably most of it--comes from Europe, specifically the Scandinavian countries. It's a very diverse subgenre and has a lot to offer the discerning and open-minded music fan. Even a person who really doesn't like heavy metal or simply doesn't know what the heavy metal genre is all about might find something to like in a lot of today's folk metal.
Finntroll was my "gateway drug" for folk metal. All I know is that one lonely late night I was searching the Tube of You for some stuff on trolls--probably looking for clips from "David the Gnome", which I watched as a kid. Instead, I landed on Finntroll's "Trollhammaren", which is their best-known song and is sort of a staple at live concerts now. I was getting into heavy metal at the time, but the video was still something I'd never seen before: a bunch of guys (and some gals) eating, drinking, wenching, and warring, and all of them were pretending to be trolls. The band were dressed as trolls and were playing bizarre musical instruments decked out with leather and hemp strings and who knows what else. It was bizarre but all in good fun--and the polka-inspired music was insanely catchy. I became a fan.
But there's much more to Finntroll than just "Trollhammaren". They've weathered the tragic loss of their first guitarist, Teemu 'Somnium' Raimoranta to what is either characterized as a horrible accident or a suicide (I don't know and don't care to speculate) and lineup changes that have seen two lead singers come and go (currently, they're on their third, Mathias 'Vreth' Lilmans) . Through it all, Finntroll has remained Finntroll; a unique, creative, and genuinely talented bunch of guys who like to make good music.
Some fun Finntroll selections:
Their magnum opus, "Trollhammaren" ("The Troll Hammer"), with their second singer, Wilska:
"Vargtimmen" ("The Hour of the Wolf") and "Skogens Hamnd" ("The Forest's Revenge"), with their first singer, Katla, off the album "Jaktens Tid" ("The Time of the Hunt"). "Vargtimmen" is interesting because it is something of a departure for Finntroll, not stylistically, but thematically: it's a cover of a Fenno-Swedish folk song that was originally done with a female singer, in an acoustic folk style. Katla crushes it with his angry vocals and the rest of the band carves it up with their aggressive electric instruments--it's interesting, too, because the song is about a man (or a woman, I suppose, the gender of the narrator is never mentioned) who is involved in a love-triangle and is confessing it to his/her first love. The lyrics reveal a frustration with his/her behavior and a desire for it to stop and go back to the way things used to be. The "hour of the wolf" is symbolic of the dark time of the soul, and also of the power of lust, which is personified as a ravaging animal that is always hungering for more. It's very different thematically from anything else on the "Jaktens Tid" album.
And here's some acoustic Finntroll! They actually did an entire acoustic album, "Visor Om Slutet" ("Songs from the End"), when it looked like their first lead singer, Katla, would be leaving the band due to an incurable throat problem. Katla is not their lead singer anymore, but he is still a driving force in Finntroll, as he wrote most if not all of their lyrics for their new album, "Ur Jordens Djup" ("From the Depths of the Earth"). From "Visor...", here's "Svart Djup" ("Black Depths") and "Under Varja Rot Och Sten" ("Under Every Root and Stone").
And finally, here's some stuff with their new lead singer, Vreth: "Slagbroder" ("Brothers of War"), "Nedgang", and "Ormhäxan" ("The Serpent-Witch"). Their new stuff is a lot more aggressive, more black-metal influenced, and less humorous than previous material, but it is still pretty good ("Ormhäxan" in particular is insanely aggressive and catchy).
What is folk metal? Folk metal is commonly defined as heavy metal, often black metal or symphonic black metal, that takes some inspiration from folk music, perhaps through using certain acoustic instruments, a folkish beat, and lyrics that derive from 'folk-lore' topics, such as mythology and national history. A lot of folk metal--probably most of it--comes from Europe, specifically the Scandinavian countries. It's a very diverse subgenre and has a lot to offer the discerning and open-minded music fan. Even a person who really doesn't like heavy metal or simply doesn't know what the heavy metal genre is all about might find something to like in a lot of today's folk metal.
Finntroll was my "gateway drug" for folk metal. All I know is that one lonely late night I was searching the Tube of You for some stuff on trolls--probably looking for clips from "David the Gnome", which I watched as a kid. Instead, I landed on Finntroll's "Trollhammaren", which is their best-known song and is sort of a staple at live concerts now. I was getting into heavy metal at the time, but the video was still something I'd never seen before: a bunch of guys (and some gals) eating, drinking, wenching, and warring, and all of them were pretending to be trolls. The band were dressed as trolls and were playing bizarre musical instruments decked out with leather and hemp strings and who knows what else. It was bizarre but all in good fun--and the polka-inspired music was insanely catchy. I became a fan.
But there's much more to Finntroll than just "Trollhammaren". They've weathered the tragic loss of their first guitarist, Teemu 'Somnium' Raimoranta to what is either characterized as a horrible accident or a suicide (I don't know and don't care to speculate) and lineup changes that have seen two lead singers come and go (currently, they're on their third, Mathias 'Vreth' Lilmans) . Through it all, Finntroll has remained Finntroll; a unique, creative, and genuinely talented bunch of guys who like to make good music.
Some fun Finntroll selections:
Their magnum opus, "Trollhammaren" ("The Troll Hammer"), with their second singer, Wilska:
"Vargtimmen" ("The Hour of the Wolf") and "Skogens Hamnd" ("The Forest's Revenge"), with their first singer, Katla, off the album "Jaktens Tid" ("The Time of the Hunt"). "Vargtimmen" is interesting because it is something of a departure for Finntroll, not stylistically, but thematically: it's a cover of a Fenno-Swedish folk song that was originally done with a female singer, in an acoustic folk style. Katla crushes it with his angry vocals and the rest of the band carves it up with their aggressive electric instruments--it's interesting, too, because the song is about a man (or a woman, I suppose, the gender of the narrator is never mentioned) who is involved in a love-triangle and is confessing it to his/her first love. The lyrics reveal a frustration with his/her behavior and a desire for it to stop and go back to the way things used to be. The "hour of the wolf" is symbolic of the dark time of the soul, and also of the power of lust, which is personified as a ravaging animal that is always hungering for more. It's very different thematically from anything else on the "Jaktens Tid" album.
And here's some acoustic Finntroll! They actually did an entire acoustic album, "Visor Om Slutet" ("Songs from the End"), when it looked like their first lead singer, Katla, would be leaving the band due to an incurable throat problem. Katla is not their lead singer anymore, but he is still a driving force in Finntroll, as he wrote most if not all of their lyrics for their new album, "Ur Jordens Djup" ("From the Depths of the Earth"). From "Visor...", here's "Svart Djup" ("Black Depths") and "Under Varja Rot Och Sten" ("Under Every Root and Stone").
And finally, here's some stuff with their new lead singer, Vreth: "Slagbroder" ("Brothers of War"), "Nedgang", and "Ormhäxan" ("The Serpent-Witch"). Their new stuff is a lot more aggressive, more black-metal influenced, and less humorous than previous material, but it is still pretty good ("Ormhäxan" in particular is insanely aggressive and catchy).
Saturday, November 22, 2008
Cool Music Weekend #1: Peter Gabriel
Okay, this is the first of a new feature here at Nothing but Nerd. Basically, every weekend (and for me, that's Saturday and Sunday), I'll post another installment of "Cool Music Weekend", showcasing bands/artists that I think deserve attention. Or maybe they already have attention, and I'm just saying that I like them. Whatever.
Mostly I'll be posting heavy metal, but for this first installment, I wanted to focus on an artist that's been one of my favorites ever since my teen years. Peter Gabriel. One-time singer for prog-rock legend Genesis, famous "world musician" solo artist, that guy who does some of the trippiest music videos in music video history. (Seriously, check out his videos for "Sledgehammer" and "Big Time" if you don't believe me--I think that "Big Time" even won an award for its stop-motion stuff.)
But here today are some lesser-known Gabriel songs, and they're two of my favorites.
First up, "Blood of Eden". Yes, it's got a trippy music video. But it's also one of the most profound and honest "love songs" I've heard in popular music. Most "love songs" are about that first feeling of love, the time when you think that you love someone and you think that feeling will never go away, that your loved one completes you, that they're your everything, or something to that effect. Millions of dollars have been made off the feelings of first love.
But what happens when those feelings go away? What happens when problems come into the relationship--namely, the problems that we all bring into any relationship with another human being, simply because we are human beings. What then?
Peter Gabriel, through "Blood of Eden" isn't afraid to say that then sometimes that relationship ends, and that it is very painful. "Blood of Eden" is a response to his divorce. The lyrics are all about the pain of losing someone who was very dear to you, about still wanting that person despite the hurt they've caused you (and vice versa).
...Okay, now that I've depressed you, here's a FUN Peter Gabriel song!
Seriously, can anyone listen to this and NOT want to get up and shake his/her ass to it? It's just THAT catchy. And no, I'm not going to be analyzing it for deeper meaning this time. Just be content to know that it has Peter Gabriel turning into a human-sized, human-shaped column of water and getting turned to steam by two dancing fire-girls, and Peter Gabriel's head superimposed onto a muscleman's body, and his limbs being taken off one at a time by admiring women, and that he turns into Thomas the Tank.
Plus, the opening moments? Pimp suitin' time. SRSly.
Mostly I'll be posting heavy metal, but for this first installment, I wanted to focus on an artist that's been one of my favorites ever since my teen years. Peter Gabriel. One-time singer for prog-rock legend Genesis, famous "world musician" solo artist, that guy who does some of the trippiest music videos in music video history. (Seriously, check out his videos for "Sledgehammer" and "Big Time" if you don't believe me--I think that "Big Time" even won an award for its stop-motion stuff.)
But here today are some lesser-known Gabriel songs, and they're two of my favorites.
First up, "Blood of Eden". Yes, it's got a trippy music video. But it's also one of the most profound and honest "love songs" I've heard in popular music. Most "love songs" are about that first feeling of love, the time when you think that you love someone and you think that feeling will never go away, that your loved one completes you, that they're your everything, or something to that effect. Millions of dollars have been made off the feelings of first love.
But what happens when those feelings go away? What happens when problems come into the relationship--namely, the problems that we all bring into any relationship with another human being, simply because we are human beings. What then?
Peter Gabriel, through "Blood of Eden" isn't afraid to say that then sometimes that relationship ends, and that it is very painful. "Blood of Eden" is a response to his divorce. The lyrics are all about the pain of losing someone who was very dear to you, about still wanting that person despite the hurt they've caused you (and vice versa).
...Okay, now that I've depressed you, here's a FUN Peter Gabriel song!
Seriously, can anyone listen to this and NOT want to get up and shake his/her ass to it? It's just THAT catchy. And no, I'm not going to be analyzing it for deeper meaning this time. Just be content to know that it has Peter Gabriel turning into a human-sized, human-shaped column of water and getting turned to steam by two dancing fire-girls, and Peter Gabriel's head superimposed onto a muscleman's body, and his limbs being taken off one at a time by admiring women, and that he turns into Thomas the Tank.
Plus, the opening moments? Pimp suitin' time. SRSly.
Thursday, November 20, 2008
Thoughts: Why CAPAlert is Insane
Why CAPAlert is Insane
[A note: I wrote this essay a long time ago, out of frustration at the CAPAlert review described below, as well as others. Likewise, the CAPAlert "review" of American History X is also very old. I have no idea if the person who "reviewed" American History X for CAPAlert is still working with them or not. I am aware that different reviewers can have different perspectives on films, and that not everyone who works for CAPAlert--if it is indeed staffed by more than one person, which I'm not really sure about--thinks alike. Just putting that out there.]
I have nothing against Christians watching movies. I have nothing against Christians reviewing movies. I even have nothing against Christians reviewing movies from a Christian perspective--in fact, I wish more Christians would do that.
But if they did, I would hope that they would not be as dense and hypocritical as CAPAlert.
CAPAlert is a site that contains Christian “reviews” (really analyses) of many popular movies. As of this writing, they have 1100 reviews. I admit it’s a bit erroneous to call them ‘reviews’, because really they’re not--and CAPAlert says they’re not. However, since it’s difficult to find another word to call them, reviews they shall remain.
CAPAlert does not review films based on who they’re made by, who they star, or whether they’re a blockbuster (though like most Christian review sites, they contain mostly new and popular films). CAPAlert has a different goal in mind, and the founder of CAPAlert states his mission better than I ever could. According to the CAPAlert webpage, CAPAlert is
“The #1 Christian entertainment media analysis service on the Internet! We give you OBJECTIVE tools NO ONE ELSE CAN to help YOU make an informed moral decision for yourself whether a film is fit!” CAPAlert contains “More than 1100 film analyses for parents, grandparents, pastors, youth leaders and more. Stay informed ...OBJECTIVELY... on what Hollywood feeds your kids.”
I agree that there is nothing wrong with this, in theory. A parent should be informed on the movies they take their children to see. In fact, I think that taking young children to films that are vastly inappropriate for them is a major failing of modern American parents.
To digress further: I have gone to see all three Lord of the Rings films in the theater. I also went to see Alien vs. Predator on the big screen. While I enjoyed all these films greatly, my enjoyment was spoiled somewhat by the fact that there were very young children in the theater who should not have been there. It only takes a small amount of grey matter--and plain common sense--to figure out that films such as Lord of the Rings are NOT appropriate for a two-, three-, or four-year-old, yet I saw young children who were in those age ranges at the films. LOTR is violent, dark, frightening, and extremely long and complex. It is a movie for adult and teenagers, not babies and toddlers.
Do I blame the filmmakers, or decry the content of the films? No. I blame the parents who were either so shallow and unthinking, or so completely selfish, as to take their children to films that would frighten them and confuse them, and annoy everyone within earshot of the child’s whispering, questioning, or noise-making.
But back to CAPAlert. CAPAlert claims to objectively review films from a Christian perspective, noting content that may be offensive to parents and grandparents--content that would be offensive for their children to watch, that is. CAPAlert claims,
“We make no scoring allowances for Hollywood's trumped-up "messages" to excuse, or its manufacturing of justification for aberrant behavior or imagery. This is NOT a movie review service. It is a movie analysis service to parents and grandparents to tell them the truth about movies using the Truth.”
Fair enough...but CAPAlert does not review movies fairly. It would be one thing if they said, “Such and such movie has such and such content, which would be inappropriate for a young child.” That’s fine, and that’s what I would say about Lord of the Rings. It’s bursting at the seams with content that I wouldn’t let a little kid see, especially not in a theater. But does that make it an immoral film? No, just an inappropriate one.
It is this fine distinction that CAPAlert either erases from their thinking or ignores completely. In their view, just about any film that features characters doing Very Bad Things--especially if those Very Bad Things are portrayed in a graphic fashion--is a film that promotes immorality, and a film that may well encourage impressionable teens to do likewise. The immoral acts that a character may commit or is implied to commit are immoral to either view or portray, according to CAPAlert.
For one of the most clear-cut and egregious examples of their methodology, I will use their review/analysis of American History X. It is unlikely that anyone who has seen this film will forget it. It is a searing, graphic portrayal of the Biblical principle that whatsoever a man sows, that shall he also reap. In the case of the film, the main character, Derek Vinyeard, is a racist skinhead who is a member of a neo-Nazi gang. One night he murders a black gang member and is sent to prison for three years. He swiftly joins a white gang for protection but is eventually viciously raped by his fellow skinheads when he confronts them over their supposed lack of zeal for “White Pride”.
The film follows Derek’s life of brutality and sin before he was sent to prison, his degrading rape, and the change it effects in his life. After the assault, he is a broken and changed individual. When he is released, he goes back home and attempts to prevent his younger brother from following in his footsteps.
American History X is an incredible film. It is a very good film, and a very thoughtful and challenging one. It is also extremely violent and disturbing, contains a great deal of sex, bad language, and violence, and it is not appropriate for a young child to watch.
I would never allow a young child, either my own or someone else’s, to watch American History X. That being said, it is not a bad film and is appropriate for a mature teenager or adult to watch and examine the consequences of hate, racism, and how bad the human condition can be. From this perspective, which I believe is a valid and Christian one, the film can be seen as a valuable, albeit challenging, resource to provoke thought and reflection about human evil.
However, to CAPAlert, American History X is nothing of the sort. The reviewer opens his analysis with this pithy, if absurdly shallow, statement: “Like we really need another movie presenting a school shooting.”
The event the reviewer is referring to happens towards the end of the film. This statement would make an ignorant reader think that this is what the movie is all about, when in fact it is nothing of the sort. CAPAlert plows over the entire point of the film--essentially, the actual reason all the violence, bad language, and sexual activity was put on the screen in the first place--and completely mis-categorizes the film as something about a school shooting. While it certainly contains that incident, it is not about that incident, and it's certainly not about the type of shooting that happened at Columbine and other places.
But CAPAlert plows on: “American History X presented this and the most foul word of the foul language 186 times, 97 uses of other three/four letter words, racial hatred, prison rape, murder, and sexual intercourse. And all in 114 minutes! That is what American History X was all about.”
No, it was not what the film was all about. It was what the film contained, but if the above content was solely what the film was about, it would be a porn/snuff film with absolutely nothing but sex and violence. Instead, it was a film with a message, the impact of which was apparently lost on CAPAlert.
CAPAlert continues, “The swastika represents more than just Nazi Germany. There is much more to the unholy swastika. If you wish to know more about it, visit our Back to School Special from our opening screen. Besides, Jesus does not want us to wear tattoos: Leviticus 19:28 ...”
First of all, the character in the film who does have Nazi tattoos is a depraved neo-Nazi who hates Jews, blacks, and anyone else who isn’t lily-white. I honestly do not expect what the CAP reviewer would expect to see on the body of a neo-Nazi: Magic-Marker drawings of fluffy bunnies? Nothing at all? It’s a reasonable, true-to-life, and expected assumption that a gang member would have gang tattoos, and that a hardcore skinhead would have Nazi tattoos. To be shocked and offended that such a character would have swastika tattoos--or any tattoos at all--is like watching a film that features a casino and being offended that extras are shown working the slot machines.
From CAPAlert: “Beatings, Nazi worship, and nauseous brutality violated almost every sense of the observer.”
Again, I don’t know what else CAPAlert could have expected, and from the way they phrase things, an ignorant reader might very well think that the film glorifies Nazi behavior, when in fact it does not. CAPAlert seems very concerned that the film will have a poor impact on the way teens will act, yet they seem unconcerned that their ‘analysis’ distorts and butchers the very deep and profound themes that American History X presents. All that they see is the violence, the blood, the death, the rape, and the bad language. In seeing the individual trees, they miss the forest and instead wander about in it, pointing and gasping in horror at various trees. They fail utterly in offering either a dispassionate, objective listing of content or a thoughtful look at films from a Christian perspective.
CAPAlert concludes their analysis with “A most vile movie”, to which I say, “A most obtuse review”.
Christians--for the love of God, for the sake of the Gospel--THINK! Don’t just react, don’t just fluff something off with pithy little knee-jerk platitudes if it happens to have content that curls your hair or raises your eyebrows. THINK. The more of the widespread abysmal, smug shallowness of thought, writing, artistic effort, and intellect that I see in American Christendom, the more I admire men like C. S. Lewis and J. R. R. Tolkien--who were deeply Christian writers and philosophers who challenged themselves, their friends, and everyone who reads their works. They thought deeply about a variety of things. I’m not saying that everyone has to have the intellect of a Tolkien or a Lewis, but it wouldn’t hurt to have more depth in the world of on-line Christian thought... especially when it comes to tackling the review of films from a “Christian worldview”.
CAPAlert's review of "American History X".
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